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is a celebration in the midst of an engineered and severed from the wild and unknown. The exotic, the afterlife, the step that we dare not give, we throw disturbing look at that door ajar murmur as happened in adjoining rooms. Is it a defense or protection from the attack? , or simply the Hortus Conclusus separates the construction debris?
At the heart of this Eden, is a supplier deprived of food, fluids, and vegetations.
Framed by an umbrella, a floral poles and two mothers-forms-like tables that are embedded molds-dishes. In this visual game away guests, so your actual absence becomes presence through the object. Hence, even the chairs are perpetuated ideas of mold, the hollowness and fullness, suggesting that there was someone there. Guests may have been touched by the unfortunate Midas, gold coating that is a yearning for the lost continuity of a primitive time and gas that are insuflaría life flows through the nozzles of these alchemical tables of detailed analysis, to look down through these circuits sometimes impossible, challenging the law.
secular
There are fears it coming. Those yearning for knowledge do a book search paths. The persecutors of that order, with the disadvantage of the escape of temporality, are happening and try to erase the bad weather routes not taken. This hallamiento is embodied in the sculpture tubular laying happen these search engines which use other members to develop themselves. One works and has its raison d'être through another. The result is an emblem metamorphic androgynous concept of Aristophanes. Than as described in his speech on love in the Symposium, the third sex involved both male as feminine. The androgynous moved in a circle like the connection is established between these dancers golden. The desire for continuity of these figures is a historical dilemma ballet and sustains life in this paradise thatched through the debris that have fallen to the ground. A tribute to the myths, heroes and those who preceded us in this quest and as Greek tradition tells us.