The drawing paper III
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Like previous seasons, the gallery continues its strong commitment to drawing, delving into the creative and trying to spread the wealth of interpretations and treatments that have this means of expression. Far from being just a base on which to settle other painting techniques, drawing is also a technique in itself, with enough charisma to admit that no tools are pre-set work, although being the immediate reflection of that attributable to the stroke as evidence of personality and good work of the artist.
for this exhibition has brought together a large group of artists who are drawing one of its most representative forms of expression. All of them move us his personal vision of design drawing from a formal renewal process and always with the common support "role The drawing" .
Emilio Gañán , Plasencia 1971
The artist shows a selection of pieces in the following research on the expressiveness of line and plane. This time further reduces its range of colors, line prevails black on white, the expressiveness of line and plane, and insisting on the rules governing the combination of the ways to generate unique structures beauty.
Jesus Zurita, 1974 Ceuta
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his works as visual stories in which through offers us the look storytelling with presentation, middle and end, always leaving open to interpretation the viewer a good part of the work by the juxtaposition of descriptive detail to other mysteriously sealed. Compositions performed in his paintings very risky as complex as fragile balance. An intense aura of mystery surrounds his works, close to the romantic aesthetic category of the sublime.
Teresa Marín, Valencia 1966
The papers presented are part of the "Journal Atopic" s. A key chronic daily reality game on some public and private. A fun heir consciously critical artistic practices that built their language. A free discussion on the pitfalls hidden codes of representation and fiction as a tool to show facets of reality.
All items were taken from the print daily newspaper. Recontextualized fragments used to generate monsters parodies and symbolic issues that arise from reading the newspapers today, their personal experiences and the association of these situations. This selection offers a perverse aspect of the theme of the game, such as handling or interested recreation of reality, which shows in a metaphorical and ironic power relations and some other low instinct.
Roberto Molla. 1966 Valencia
Molla Roberto drawings are characterized by the use of graph paper, a surface that has brought objectivity and control to work. Draw inspired scenarios in traditional Japanese architecture and Russian Constructivism, naturalistic illustrations in Haeckel and modular geometric painting the 60
In this scenario, while fluid and subject to the geometry of the grid, are located his last work, reveling in the above geometric games, take the creative strategy of moving in opposite worlds and different times. In this specific environment and unpredictable comes his latest series, Tamatori , directly inspired by the legend of a famous mythological Japanese diver.
Mankenzie Alexander, New York 1975
The computer storage process is an act entitled 'snapshot that is a recording of the state of a system at a specific moment in time. This is a concept derived from the instant photography, which seeks to arbitrarily freeze a moment of reality, capturing a moment, an idea that derives from the sketch. In this sense, we've been taking snapshots of the esoteric narrative that I have developed over the years. This cosmology is not linear and is influenced by various religions, mythologies and folk tales, created in the context of Western civilization obsessed with the "display."
The work is presented on multiple screens of different sizes, backlit by electroluminescence, emitting a dim light on the viewer and comes into operation through a motion sensor, features chosen to mimic the technologies in standby mode. "
Ramón David Morales, Sevilla 1977
tells the rural culture, the perfect mix between tradition and modernity. We traveled in this area where the farmer lists all the elements of nature, molded to the rhythm of life and time, a biological extension of art and life ..
the landscape in his work is symbolic, boundary and full concept of universal and personal references. It is also an accumulation of fictions, analogies, metaphors, traps and statements. His creative process of the drawing, not as a sketch, but as a conceptual idea for a series and open. Their goal was to convey ideas and feelings arising from an identity that reflects on the contemporary living .
Elena Alonso Madrid, 1981
Work with what you look familiar and close, both material and aesthetic appearance of works and in the process of making, serving the interests by close relationships and developing a taste for manual and rudimentary. Try to create a space of indeterminacy as disrupters of standardization of desire and the homogenization of lifestyles, trying to find and foster their own forms of internalization and transformation of what is given.
In this sense the role of drawing is central to his work as a tool of thought, as traditional practice and as a result that tells us to think and create unique places.
Jorge Pineda , Dominican Rep., 1966
Dominican multifaceted artist, distinguished primarily by their preference for drawing exercises with skill, finesse and originality.
The figurative and graphic representation of this operator causes an attraction in the seer because his characters, like the beasts, they move between the myths and legends of his homeland. The human figures in his work exerted a constant presence in both the drawings and in prints, with temporal uncertainty. using the criteria space playwright,
is a reserve Lorca's poetic drama invoice, express expresses great complicity with the feminine world. In most jobs, the work produced from a real object taken from the tradition or the Dominican popular everyday.
Arrebola Simon, Jaén, 1979
More than pictures that are trying to do performances, where memory is one of the main components. They are intimate theatrical realities. The geometry used to order what I mean and set up a living space in the visual paradoxes and impossible architectures, which take place a confluence of people and objects that come from the family album, the dreamlike imagery of dreams or the movies. Trying to find personal connections this discourse with the viewer watches these routes trying to reach his own memory.
Badajoz, December 2010 - January 2011
With the collaboration of the galleries:
"Aural" , "Raquel Ponce" , "cloudy" y “Sandunga”
Muebles
Graphite on paper
38 x 56 cm
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