Cold Sores Description And Scientific Name

The white dress by Paul Makovsky

Isis Milanese invited my daughter Elena to a photo shoot with her dress white. It is a dress of Isis journeyed children and the next photographing women: "What we intend to show are the different forms and qualities of several women of different ages using the same dress, "he writes, and" Object of sensuality. The dress functions as a frame and body for support. "

I do not know what to say about these photos. Or rather, all I can say the pictures say it best, and perhaps prefer to keep quiet, mature.

But something happens to me: they are not portraits, however, I always see this face. As if there were photographically way to approach a person outside of the face (and photographic approach "Love" should be added.)

quote one paragraph and the end of The desert and the seed of Jorge Baron Biza : "The face is to receive the others get whatever is on the face, eye, ear, mouth and down the cheek, which receives the blows. The face is so that men can get to know each other. Therefore it is sacred ... because it is the Other. People should make your face the cradle of love. Just face the truth when there is a will to want; if you love your neighbor's face turns into a steak, something scary. "

The analysis of Russian icons Jesuit priest Alfredo Sáenz, as in the exegesis of the painting angelic Fra Angelico of Hans Sendlmayr , the faces of the paintings, stylized and childlike, they are there to welcome and take him looking elsewhere, take it with a new face: look at those pictures is also subject to the influence of the eyes of a child or doctrine. Soviet filmmaker Sergei Eisenstein , not unaware of the iconographic heritage of Kiev, wrote that a close (ie, making the face in a film) should be an emotional short film .

Isis not always picture his face but there are beautiful shots of the face of Helena, but Helena in the white dress. But what Isis Photography, after all, is the face on the dress.

The white dress is not only covering my daughter, but what he taught me. As a detachment of the portrait, which is form and theory, these images are also what has to question the face and mask, how much of Elena I get there and how much and traveling a road that is alien to me?

Paul Makovsky. Uruguay, 1963. blog entry Apostrophe.

Milanese I system. Argentina.